Good day or evening to you – I have been painting all day and although it was not the YLC that I was working on, it has been a productive afternoon.
One of the ways to decide whether or not an abstracted image – a totally abstracted image with little or no hint of realism – is well balanced, carefully composed with lights, darks, texture, line, space etc etc etc is to view it from all 4 orientations. This is why you sometimes see people nearly standing on their heads at art museums, getting a new directional perspective on a piece of art. If the art is a well composed piece, it must “work” from any rotation. Some rotations might work better than others but they must all be successful for it to be a really good abstract.
Sooner or later the artist has to sign the painting and that generally happens at the bottom (although not always) so he/she artist must make a decision at some point. That decision might not be the most popular orientation for you. I do, personally and emphatically, believe that when you hang the painting, you really are sort of obligated to hang it in the direction the artist preferred it to hang, placing the signature side wherever that artist wanted the signature to be. If he/she signed it on the side, and it is hung that way by the artist, then please hang it that way, OK? Oh I know – it is your home and you can do whatever you want….but try to play nice and honor the work that was done and the intent of the artist. The art cops won’t storm through your door and change it on the wall but the art Buddha might frown if you hang a gorgeous painting the wrong way. You just do not want to offend the art Buddha – that is just such bad Karma. Not to mention offending the artist him/herself, even if he/she never even sees it.
Attached is a photo of the painting I finished today – and it is a perfect example of an image that can hang in any direction. Generally speaking the human eye prefers the darker areas of a painting at the bottom (seems logical – gravity), but sometimes the artist wants to give you a visual JOLT and make you re-think your reaction a little bit so he/she artist puts the darkest area at the top. Sometimes the dark is on a side, more often it is on the bottom. The focal point can be anywhere, even almost sliding off the side into oblivion. This painting seems to work in any direction for me, but I’d like to hear what you think.
There are several dots in this painting – two black and one orange and a small yellow circle as well. Using round dots is a thing I often do, and have always done. The dots in this piece have several purposes – there are many straight lines, squares, boxes and rectangles in this piece and the dots are placed to make your eye move around and to create movement and rhythm among all the geometric shapes; they are also there for roundness amid all the angles.
No title yet – that sort of depends upon the final orientation I choose.
Still have not given up on the Year Long Canvas – have faith.