The Year Long Canvas reaches her one-year mark!

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The Year Long Canvas has had several major changes today, and you can compare them with the previous version below, as well as with the very first start of the original painting from a year ago. I worked the new additions to the composition from all sides today and offered all four orientations of her for your review. You can zzzzzoom in and see her texture – not quite as thick as I had imagined it would be at her first year anniversary.

This project might not be 100% finished at this point. If I look at this painting long enough I will always see something I would like to change…it is a sickness…never being satisfied. But perhaps my fatigue with the entire project will prevent any further work. I cannot say that this newest version is my favorite of all the stages of the past year, but it is certainly among the top three. It has indeed been an exercise in patience, perseverance, dissatisfaction and approval, unease and comfortable-ness with my own work. If the lesson to be learned was that I should trust myself more, that has been accomplished. I was at times discouraged that I would ever be able to make a whole new painting over the top of many other incarnations, but I did it, over and over.

My son says this painting reminds him of RIO – a landscape in other words if it is placed horizontally. It does not remind me of Rio, but it does speak to me of action, energy, optimism and fun. So maybe it is RIO after all! I cannot decide which orientation I prefer…I really do not care at this point. I just like the color, texture and pattern of it, and most definitely color is the thing that grabs people first, then maybe the dramatic composition. The sensuality of color is usually what most people respond to in art and try as I do sometimes I cannot do quiet neutrality. It bores me to tears.

I have had a great year with this project and I hope you have too! Phew…I think we almost made it. Thanks for hangin’ in there!

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Previous version on the left and the very beginning of it last March on the right.

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Exciting Artistic Opportunity

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Original mixed media collage titled My Dragonfly by Jo Ann Brown-Scott, copyright 2015, $900
Have you ever seen an original painting and wished you could afford it?
I certainly have.
And I can’t tell you how many times I have done a painting that strikes a cord with dozens of people all wishing they could own it. When that happens it is both exciting and heart-wrenching because you can only sell the original once.
I am happy to announce that I have just recently become affiliated with an online website, Fine Art America that offers the service of selling quality, professional, full-color prints of my original artwork. I have wanted to do this for years and now it is simple and easy and the quality is excellent. Anyone can shop from his/her own personal computer at my Fine Art America gallery or even request that another image of mine that you have seen before be uploaded and made available for printing in less than a day.
Visit me at Fine Art America at this link – http://joann-brown-scott.fineartamerica.com
Have a look around and you will see all of the products they offer using fine art images.
Various print sizes are available, printed on either paper or canvas. You can choose framing if you wish. Greeting cards and posters are also available with any of my images. The prices are quite reasonable and I retain the copyright of course.
Soon I will be placing the YEAR LONG CANVAS, a painting I have been working on, writing about and picturing on this blog since a year ago on this Fine Art America website, for the possibility of ordering prints….see my Archives if you’d like to know what I am talking about when I mention the YLC, a challenge offered to me by my instructor for advanced abstract expressionism. It has proved to be quite a project and I am nearing its end this month of March.
This is a fun and easy way to own fine art; and since many of you have asked me about prints it is time for me to take advantage of this opportunity. This will increase my exposure nation and worldwide and allow me to offer my most popular images to people who could not buy the original, in a quality print for as little as a hundred dollars or less…..
and if you are an artist, heads up! – this is a valuable opportunity!

YEAR LONG CANVAS, mid-January, 2015

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YLC, untitled, copyright 2015, Jo Ann Brown-Scott

Holy cow we are nearing the end of January. Did you notice that?

Just this morning in a fit of panic I did some stuff to the YLC. Some stark white, the enhancement of a couple areas, the extension of the vertical cadmium orange line up behind and beyond the swath of black, couple turquoise dots – but the white has been the thing with the biggest zing.

If you zoom into this image you will find nuance and texture, shades upon shades, and lots of emphasis upon line. That’s what I like.

If you divide the canvas into 4 equal rectangles, with a vertical line down the center and a horizontal line from left to right, each quadrant tells a story and is a painting unto itself. But they all work together as well, geling into one large rhythmic piece. In my opinion, that is a good thing. The painting has movement, focal areas, lights and darks, brights and dims, strong color and a powerful composition. It is a joyful painting; nothing grim or menacing about it. The YLC is a happy canvas. You can see how she began in this blog’s Archives, and there are still a few hints of her left in the painting from when she was much younger. (Kind of true of us all.) My son wants me to title her “Rio” – one of his favorite places. He sees a distant skyline in it, a hot sun and a carnival atmosphere. But then if you knew him you’d already know that he sees a potential party in every situation…smile. Wonder where he gets that.

But isn’t that what art is all about? Seeing images through your own distinctive perspective? Depends on the day and the time and what you are going through in the moment. You are more than entitled to your own vibe. I welcome your vibes as well as mine. Just try not to get all gloomy on me because I never paint gloomy. I have to express the joyful colors of life! I must! Don’t try to stifle me! I’m recently back to myself after a rotten decade and life is just so damn good again.

Thanks to Homare Ikeda of the Denver Art Student’s League for this remarkable assignment – and I am not officially finished yet, but I must say that he opened me up and allowed me to pour it all out. I needed a strong nudge, a weird idea, a new awakening and a place to go that had a purpose. Hope you are still listening, Homare. I will see you again soon…

http://www.homareikeda.com

 

Being Creative

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Paintings #1 and #2, not yet titled, copyright 2015 Jo Ann Brown Scott

There is something about a snowy, extra icy day that fires up my creativity. The sidewalks are a sheet of ice, the temps have plummeted from yesterday, there is thick, cotton gauze fog and no one who has a choice would be outside. And so we paint, me and my creativity. The light is perfect – bright with the outdoor whiteness, but no sun glare, no reflections in my north facing window. I always say that my most ideal conditions in which to paint, or write, are simply a good night’s sleep and a day when I don’t have to go anywhere or do anything.

I rolled out of bed about 8 am, a little late for me, went directly to the kitchen and made my famous chicken broccoli soup, eliminating any distractions about what I am going to eat today. It’s on the stove simmering, crusty Asiago bread nearby. This must be heaven.

As any artist is bound to do from time to time, I sometimes wish that I could paint a different way. It happens to the best of us; it is born not of boredom with what we are used to doing but a challenge to ourselves to accomplish a whole new look and make it sing, as if we had been doing it forever, just to prove we can. Every once in a while I give it a try. I usually paint with a confetti riot of color, and so my reaction against that tendency is to paint with a greatly subdued palette and far less action. That does not truly represent my normal joyful state of mind, (happy!) but I do have more subdued reflective moments of silence (yawn…) when I become rather meditative (almost asleep). If I can tap into that while I am standing upright painting, occasionally I get some fine results. If I try to do it twice,  I can, but I don’t necessarily like to, and I fall back into the fun stuff of going bananas with color; it seems to be the authentic me.

The second painting is subdued, for me. My version of restraint. (perhaps you are laughing now, at my version of restraint) but I kept it simple, the colors are there but not so plentiful and/or not so in your face. I wanted to do more, but I decided to eat lunch instead and let it go for a while and see if I can live with it the way it is.

With this blog I have two photos, the first abstract painting is a new one displaying my customary  expressionistic (controlled color pattern texture chaos) type of composition, and the next a much more toned down piece where as I worked I kept a lid on it. Over the holidays when I had some fun relatives over for lunch, my six year old niece, Finley, (with whom I  sometimes paint, and who calls me Great Jo because I am her great aunt) walked into my studio, saw the toned down painting on my work table and said to me, “Great Jo, this one is not finished – can I finish it for you?” Believe me, it was tempting to see what might have happened. I will file that idea away; and another time I will start something and let her finish it. It has to be a cut above elephants who paint, right?

By the way, yes it is a new year and I have not forgotten about the YEAR LONG CANVAS – she is looking longingly in my direction as we speak, jealous of my other work. She needs a fix, another session, and I will get to her soon. She reaches her one year “time up” about March 1st, and here we are in mid-January already. I have plans for the entire month of February, so my time is becoming scarce leading into her birthday. My next post will be for her, as she nears completion.

 

 

Year Long Canvas, 11/24/2014

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Year Long Canvas as of 11/24/2014, copyright Jo Ann Brown-Scott

“Let yourself be silently drawn by the stronger pull of what you really love.” – Rumi

Please check my archives if you have no earthly idea what this Year Long Canvas is – painting this canvas is an ongoing project and carries with it quite a story. As you can see, she is back to being horizontally oriented again but you can like her in whatever direction you prefer. If you see a landscape here you are not alone; with nothing else at all done to her, or with a few small tweaks, the landscape idea could become more obvious right now, but it is still too far away from completion for me to settle on a landscape. Call me crazy but I have recently also seen the possibility for people in this composition – not large people, but groups of small people congregating as if waiting for something…in a horizontal row extending from one side to  the other, just along the upper side of the dark stripe that is the new change for this week. They would not be very tall, they would be colorfully dressed and have no distinctive faces. Just waiting.

I always thought that I wanted this painting to be an entirely abstract expression, with nothing recognizable, but I am even rethinking that now. My mind is an open book.

I am definitely learning to better trust myself after all the months of work; to trust my decisions and my judgment, as was one of the original goals for the project, but the other thing that has resulted from doing this, to tell you that truth, is that I have become quite a bit more open-minded about my own work. I accept my own opinions of my own work, which I suppose is one facet of trusting myself after all.

I love painting although I seldom understand it thoroughly. It might come as a surprise for many of you to know that almost every artist does not necessarily like his own work all the time. Many times I have painted a canvas that is not of my own taste. Even within my own paintings I see areas that are not always to my own liking, but sometimes I leave them there anyway, without my own approval. They bother me, they go against my grain and I know that sounds odd, doesn’t it? Well it’s  a strange exercise in intentional imperfection, which I do believe it a useful experience in art. It wakes you up.

The art Buddha understands why I do that, I do believe. He is still smiling and has a twinkle in his eye about this subject.

 

 

November Version of the YEAR LONG CANVAS

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YLC November, copyright 2014 Jo Ann Brown-Scott

What nine months of attention does for an embryo, forty early mornings will do for your gradually growing wholeness….Your intelligence is marvelously intimate. It’s not in front of you or behind, or to the left or the right. – Rumi

Hello everybody! Here we are well into November and as I woke this morning I was in a great frame of mind due to absolutely nothing in particular. I had not even slept well, but something lit a little fire in me. After a long, crisp walk in the morning air the time was right; I was ready to apply the latest shock therapy to the canvas. The additional changes just happened, in less than fifteen minutes, to the Year Long Canvas that Homare Ikeda offered to me as a challenge and an assignment way back in March of this year. I would say we are in the home stretch now, but who ever knows when it will be done, or mostly done, or perhaps even continue? For those of you arriving late to this project, the objective is to continue to paint for a solid year on one particular canvas, adding layers and layers of new work on top of the old. It is an exercise in patience, confidence, acceptance of change, and testing one’s ability to focus over a long period of time on one constantly changing image. Of course I am painting other canvases as well, and finishing them, because I have a tendency to be quite task oriented. I like a feeling of accomplishment.

If you compare this version to the others in my blog archives about the YLC you will see that I am letting myself go more with each passing month, slinging the paint around with more abandon, opening my heart to more drastic change and actually having more fun with it than I did in the beginning. My loose and free-spirited attitude is picking up speed as I work through the months. I barely even try anymore – I just work mindlessly. It is my arm but something else is guiding me. I feel it arriving from over my shoulder, it comes through me and lands on the canvas. It is as if I am not even here. I am just an instrument. I do believe I am in the flow.

Obviously I use layers of paint both thick and thin, building texture and depth, a characteristic color palette that I enjoy, a linear emphasis, a roundness in some area, darks against lights and lights against darks. I am working vertically right now, but it started out being horizontal; I work all around it, turning it in all orientations as I paint, because in abstract art you have to do that. You might choose to see the suggestion of a landscape, or not. Purely abstract is fine too.

This painting could quite easily go in the direction of enormous simplicity and minimalism, by covering up almost 90% of the composition with washes of gray, black or even white, allowing just slivers and shafts of colors to reveal themselves as if you are looking through an opening to something underneath. That seems to me a rather easy, chicken way to end the whole thing.

I actually prefer the challenge of complexity, depth and mystery. But you probably already knew that by now.