Canvas in progress, not yet titled, copyright 2014, Jo Ann Brown-Scott
Things are finally beginning to take shape – the composition has gained complexity, additional depth, and more color without losing its rhythm and movement. It is still recognizable from last week, but at some point it will give up its former identity and be in the witness protection program….my way of saying that it will have a whole different look, probably. That is very likely to happen with a year to go.
I am pleased with the progress this week, but already wondering about how I will add another warm color to all these cools….what intensity, what shades, what COLOR? I really don’t want the Naples yellow to be the only sunny color. Although it could. But the artist says she wants more color.
Last week the painting that resulted AFTER I stopped working on this year long canvas was pretty cool – it can be seen in the #4 post – and the same is true this week. I am working on another 24×30 canvas at the same time I work on this one and it is going to be a fine painting, I think. I am not quite ready to go public with it, and this post is supposed to give center stage to the year long canvas, so….we shall see.
Abstract art is supposed to work from any orientation – whether you turn it upside down or rotate it sideways. As you can see, there is very little happening in the upper portion of this canvas, and that issue must be addressed soon. It’s never a good idea to get too far along and still have such a void in one large area – it makes you desperate to fill it up at some point, and then whatever you do to it looks like an afterthought rather than an integral part of the composition. Right now it is screaming for my attention…and I am not answering yet, living on the edge of a decision about what to do to it.
This entire canvas screams at me sometimes. I hear it calling for attention and yet I can’t run ahead too fast. A year is a VERY long time. You would think that the larger the canvas the easier the challenge, since you would have such a vast area in which to screw up and figure out how to fix it, time and time again as the months go by. But if you remember, my instructor told me not to add the challenge of SIZE to an already difficult assignment. So here we are at 24×30 and every single minute stroke shows up. You cannot sneak anything in there without it being noticeable. Idiotic moves will show….and the idiot has to correct them. I realize that there is no failure with this project, only learning experiences, but even so there will be days when I am not at all happy with what has happened to the canvas by my hand, on my watch.
I am going on a walk now and I am going to see if I can find the art Buddha to come along, because this abstract world is enough for now.