The Splendor of Musee d’Orsay

On Friday of our astounding week in Paris we visited the Musee d’Orsay, an enormous  destination that is now dear to my heart. The famous clock, that spot-on perfect icon that defines this museum in the minds of folks who are passionate about art history was clearly visible and unmistakable as we approached from a bridge on the right bank crossing over the Seine to the left, an easy walk from our hotel in St Germaine. What better symbol, what better icon, to identify such a priceless location commemorating the very passage of time and the treasures therein? What time has given us is personified in Paris and its museums. All that is right in the world of art, antiques, fashion, food, design, music, literature, treasures small and large and tradition I found in abundance during our week of wandering this gorgeous city. A city that remains easy to explore, welcoming, comfortable and always extraordinary in its offerings.

The gigantic rotunda of this museum might reveal that it was once a railway station built for the 1900 Exposition Universelle but by 1939 rail travel ceased at this building. Later from 1848 to 1914 the government set about transforming it it to what became the country’s premier showcase for art. It is grand and glorious but not uncomfortably so, with comfy beanbag chairs accessible for relaxing in the upstairs space where you see the interior photo of the window clock, which reveals an amazing panorama of the city’s Montmartre area including the Sacre-Coeur. It was nearly shrouded by fog the day we were there….

As with the Louvre and its Mona Lisa, I had one primary goal in the Musee d’Orsay and that was Degas’s ballerina sculpture titled Little Dancer. Once again, blotting tears streaming down my cheeks, I walked around and around her as I remembered my own tiny dancer daughter when she was in the Nutcracker at Denver’s Christmas season years ago. I have always been a fan of Degas, and this sculpture is tres magnifique and especially realistic with its unusual addition of a pale peach-colored gauzy  tutu and a wide satin hair-ribbon to match that have remained almost unscathed since it was incorporated into the 1880 sculpture. The young girl depicted in the sculpture is a fourteen year old Belgian, a student at the Paris Opera Ballet School of that time named Marie van Goethem. Little did she know that she would live forever in the Musee d’Orsay in Paris and become a worldwide symbol of the ballet. Degas’s huge body of work portrays many ballet scenes; this one is by far his claim to fame.

I also viewed more Van Gogh’s than I had ever seen in one space that day in the Musee d’Orsay, as well as Manet, Monet, Renoir, Gauguin and many others who were made real to me through my viewing of their Impressionistic art.

To be so fortunate, so blessed and so enlightened on one day in Paris, just one day out of seven, was rare and immensely joyful for me. I am forever changed by it and thankful that my daughter sent me there for my birthday. If you read my own grown-up ballerina’s travel blog here on WordPress at http://www.compassandcamera.wordpress you will be reminded that she wrote about my mother’s (and her grandmother’s) trip to Europe of many years ago including a trip to Paris, based upon the postcards she sent home. Of course my daughter has also been to Paris, included with many other countrys on her travel resume.

Hhmm…. this Paris thing is a golden heirloom thread running through our family now and it is no accident believe me. We women know where to go and what to see that will enrich our lives and add to our appreciation for the life we have been given and the very brief time we have here on earth in which to live it….. I wish for all of you a trip to Paris.

For additional photos of Paris please follow me on Instagram at “the creative epiphany” Jo Ann Brown-Scott