Year Long Canvas #12 – SheTakes a Whimsical Turn

Posted on May 27, 2014 by Jo Ann Brown-Scott

YLC #12, copyright Jo Ann Brown-Scott, not yet titled

“You breathe; new shapes appear, and the music of a desire as widespread as Spring begins to move like a great wagon. Drive slowly, some of us walking alongside are lame!” Quote from Rumi, born in 1207, Afghanistan

Of course it has everything to do with my mood. The day was gorgeous, took a long walk, ate some great food, listened to some upbeat music and there we were – arrived at a brand new place from the scariest storm experience of my life just 2 days ago (see the previous blog about Mutha Nature).

Let the games begin….

Lots of minor changes were made, but larger ones too, such as Lady Magenta making an appearance, dancing across everything just for pure fun, and a second (or third?) sun showed up in the unexpected sun color of purple….that’s what you call artistic license, but of course you knew that. I first took artistic license when I was in kindergarten, and teacher instructed us to finger-paint a tree. My tree was purple and she had an absolute fit, being the realist that she was. Even at that young age I knew she was dead wrong – how could she know anything at all about art history and object to a purple tree!? I have been getting her back ever since, sinking at least one “artistic license” thing in painting after painting for many decades now.

I am here to tell you that abstract art does not have to be profound and serious. Since I am working on this canvas for a solid year, I felt free to be light-hearted and free spirited. I can always get dark and brooding at some future point if I so desire. The changes made in this work session were begun with an eye for balance. The upper left area needed some action to be weighed against all the color and motion in the upper right. What to do, what to do. Circles seem to be a repetitive feature, so I thought I might just capitalize on that. Another sun, in PURPLE, could get attention. Not tooooo much attention, however, or the focal point on the right side would be severely compromised. Where is Homare when I need him? I am going to have to fly by the seat of my own pants this summer.

The changes made today were accomplished in less than an hour, and I used my fingers while wearing a latex glove. I seldom use paint brushes anymore – preferring plastic palette knives and oddball kitchen tools like a plastic BBQ sauce “mop”, scrapers and other stuff I find. I often use the dried acrylic paint that has globbed around the top of the paint tube, picking it off and pushing it onto the composition for texture – you can see one of those in about dead center of this painting, sticking out almost like a button. I love bumps and wrinkles, and I like to use acrylic very thickly but I also love to thin it down with lots of water and paint like a watercolorist which is how I first learned to paint. For Homare’s classes in advanced contemporary art I used purely paint, without any exotic collage papers or mixed media techniques, or matt medium to build up a textural affect. I am a mixed media artist at heart but I wanted to go back to my roots and see what happened there. That was a good decision because I have enjoyed it and found that I am still able to paint without any of my favorite bells and whistles. The method in my madness of returning to the classroom was to see what I was made of – to rediscover my earliest training. Doing that could only be for the good, I thought.

The YLC has a journey ahead. She will be thick with paint by mid-Fall and difficult to deal with. Unruly and short-tempered from all the indecision and abuse she has endured. She will have screamed at me to leave her alone. Making anything good happen will be a huge challenge, because everything that has gone before will have been sacrificed and lost and I will mourn those versions. I will be sick and tired of re-inventng her. She will be fed up with me as well. It will be like any other relationship!

But of course you probably knew all that.

The Force of Mutha Nature

Posted on May 25, 2014 by Jo Ann Brown-Scott

Well it’s been a wild Memorial weekend ride around the Denver area, and it’s only Sunday noon as I write this. This week, by some otherworldly twist of fate (twist being the operative word here) I found myself in two of the exact and most threatening locations where funnel clouds were spotted around the city, just days apart. How strange.

I never say that I don’t get out much – I do get out a lot – I am all over the place actually, driving and doing stuff from Boulder, 45 minutes to the north to Evergreen and Conifer in the mountains west of Denver and then twenty minutes south of the city where I live. Every north, south, east and west direction has been under the assault of Mutha Nature. We have had a session of turbulent skies bringing walls of rain so dark that you cannot see what is going on around you when you are driving in them, hail ranging from marble to almost softball size bringing severe damage, wind and flash floods all resulting in many insurance adjustments. I like weather drama but this is over the top. The 2 funnel clouds I found myself directly under – one while having lunch with a friend in the Cherry Creek area ( where the waiter asked us if we would like to go to the basement and we, for some crazy giggly reason, was it the Sangria? – declined) – and the other being an enormous, dense black storm cell wall of water I actually drove through as my cell phone was screaming an alarm to me to “TAKE COVER IMMEDIATLY! – never actually got their funnel acts together enough to do anything more than wave around in the sky in a serpentine tail, trying to touch ground. I saw them on the news. If I had known what was over me I might not have been able to keep a grip on myself.

I have never driven through such a storm as I did in the second experience – I could not pull over, I could not stop, because cars would have hit me in that process since none of us could see the lines in the road or what was ahead. There were no possible shelters. I had no idea, when my excruciatingly loud cell phone alarm sounded whether I was driving further into the center of the storm action or if I was lucky enough to be driving out of it – the car radio told me next to nothing, thanks a lot. Luckily I was soon going to be driving west, up the canyon to Conifer, so I knew that when that exit came, things would improve….but barely. Tornados just do not happen in steep canyons and mountain areas….I have been told. However the rain had created an actual river coming down the canyon highway, so deep I was afraid my engine would stall out since the car was making waves as I drove.

When I finally arrived in Conifer and we turned on TV the weather map showed the area I had driven through was the very middle of a gigantic storm cell containing funnel clouds, slowly moving north and east away as I turned west into the canyon. I had been directly under that phenomenon for about 8 miles. I was shaking. My friend, who had been a car or two ahead of me but out of sight, poured me a vodka shot. He seemed fine – I was not. It took us a while to laugh.

The outdoor decks, flagstone terrace and steps, ground and rocks on my friend’s property in Conifer were covered with what the hail damage had caused a couple days before – it looked like chopped broccoli but was actually shredded healthy green pine needles and branches and pine cones – the trees had been mauled. They looked pathetic. It was overwhelming to see such destruction – and that was just the yard. The house and other buildings will all need new roofs. A skylight is broken and leaking. The Ping-Pong sized hail pounded the place for a full half hour.

OK so does all of this adrenalin-fueled fear go away, after you realize you are still alive? No. I can still feel all of that experience sitting here as I type. Sun is out, sort of, but I am right back in it in my mind.

So what am I going to do with myself? Well of course I ‘m going to paint.

We shall see what that brings…..the YLC is talking to me again.

Year Long Canvas #11, and a thread of artistic wisdom.

Posted on May 20, 2014 by Jo Ann Brown-Scott

Our dilemma is that we hate change and love it at the same time; what we really want is for things to remain the same but get better. Sydney J. Harris

Today’s last class was bittersweet, since many of us are not attending any classes for the summer, and although 3 months is a freeing and enticing stretch of time it is also a deep void to fill. And filling the shoes of Homare Ikeda ( http://www.homareikeda.com ) is an impossibly tall order – he is a gifted instructor; wise yet playful, firm in his experience yet always open to new ideas, serious about his art yet secure enough to be whimsical at times, free spirited yet always grounded in the process. Having access to the mind of the master on a weekly basis will be greatly missed.

He spoke to us at the beginning of class about artistic dedication and what a luxury and privilege it is to be able to afford the time and have the talent to paint well. Not just to paint but to paint well. He said we are truly fortunate and should never take it lightly. He said, in so many words, that we should not squander that privilege. We should not deny it or disrespect it or take it for granted. It must be honored and given expression. But he was careful to add, after several minutes on that subject, that with summer at our doorstep, he had one final assignment for us….

We were instructed to PLAY. We were told that our summer must be spent in a sort of artistic abandon – we should give ourselves the freedom and the fun of being loose, experimental, random and playful. We should absolutely have fun this summer. We have been given permission and instructed to do so.

Well alrighty then. I am all for that. Hope I have not forgotten how….to relax, to play and be silly. To be young again in spirit. To make stupid mistakes. To learn from them. To make other mistakes. Then to occasionally create something brilliant, born of enjoyment and fun.

When the class began I had not been inside a classroom, as a student, for several decades. I had just come from 3 years of teaching mixed media to adults in northern California, moving back to Denver after 6 years away, and I felt very strongly that it was time to get my own mojo working again. To paint with serious intention and dedication. To find a class and an instructor that were a good fit for me. To see if I was on the right track as I began the next chapter – the remainder – of my painting career. It was either luck or intuition or both that drew me to Homare’s class. His assignment to me of the YEAR LONG CANVAS project was, in retrospect, perfection. It demanded that I slow down, take my painting to the level of a meditation, think more, sometimes think less, TRUST myself more and promise that I would follow the process through until it was time for it to be over. I still have a long way to go, and I don’t enjoy painting in really hot weather, not even in air conditioning. I would love to take the summer off, not from painting entirely, but from painting any more on the YLC. But I will not do that.

In spite of the assignment to PLAY for the summer, I have the YLC here staying with me 24/7 in a corner of my studio. I am her vacation retreat. September will come soon enough and I will have to take her to class with me and reveal what has happened to her over the summer break. Think how it might feel to have to read a great book over the time of an entire year – when you are dying to race ahead to the end but you have to pace yourself and allow only a bit to be revealed at a time. What if babies took 12 months instead of 9? How about a year’s worth of working on the same recipe; refining and tweaking and altering until you lose your bleeping mind. A year is enough time to fall completely in and out of the creative mood at least a dozen times – alternating love/hate feelings – and each time you have to find a way to get yourself geared up and hyped up and ready to move forward again…..only to lose that momentum and speed and focus again and again and again.

Of course there is a much larger life lesson here about CHANGE. We hesitate to make changes in our lives based upon fear – fear that the newer will not be as comfortable or as satisfying as was the previous status quo. Fear that we have moved into the unknown at the total expense and obliteration of the known – fear that the life changes we are about to make will not work out and we cannot go backwards and get back again to where we were. It is my personal experience, however, that carefully considered change usually does bring improvement and enhancement with its evolution, and the result is better than expected. This is based upon knowing myself and trusting myself.

So this week I have done just a little work on the canvas and maybe you will notice it and maybe you will not. A slight bit more of purple was added in strategic areas – in about the 10 o’clock area, if you use the clock guideline. Also just a little more of it at about 4 o’clock, drifting over the orange. The purple was added for balance. Next time I work on her I will be gutsy-er, and if you are bordering on boredom, have faith, big change will come. That will be painful but no guts no glory. And I am supposed to trust that the glory will be reincarnated as a new idea every bit as successful and appealing as it was before. I love the quote I have included in this post about CHANGE – and another quote I heard once that says that to request no change at all requires great change in itself!