September Report on the Year Long Canvas

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New September YLC copyright Jo Ann Brown-Scott 2014

An eye is meant to see things. The soul is here for its own joy. I am not contained by this universe. – RUMI

If you remember, the last time I posted a blog about the Year Long Canvas my intention was to enter the piece, as it was then, in a juried show at the cooperative CORE GALLERY on S. Santa Fe Drive in Denver. You can see the type of art they show at http://www.corenewartspace.com

My decision was made on impulse, just because I was curious to see what would happen. The gallery is well respected and they had over 135 entries into the open show. The sole juror of the show, Jt Urband, is a well-credentialed professor with degrees from the U. of Penn who now teaches plein air painting at Denver’s Arapahoe Community College. He did not choose to accept either of my abstract entries into the show, but I was rather impressed with most of the 30 paintings that were accepted, with the exception of a couple pieces.

The lesson here is that there is no lesson – usually not a tangible reason can ever be revealed as to why you were accepted or not accepted into juried art shows. I know of shows where the judge’s personal art experience had nothing whatsoever to do with the type of art that he was asked to judge for the show. Some art experts who admit to having no understanding of abstract art or taste for it might be included on the jury panel for a show heavy leaned toward the abstract. Or conversely, abstractly inclined jurors might be asked to judge a representational show. As an artist I find this rather frustrating and I would go so far as to say that I think it is just wrong, or at the very least, pointless. But that’s just me. Actually it is not just me – other artists feel the same way.

One of the primary requirements of being an artist is to develop a thick skin. You will be faced with a lot of rejection as your work evolves and matures. If you are willing to put it out there, get ready to hear what people really think about it. Listen and learn. But very seldom do you have access to why a juror did not select your work for a show – you are left wondering and wondering.

Since then I have slightly altered the YLC and if you are detail oriented you will notice the changes in the above photo. Just a few subtle additions of turquoise green inside the large black area so that it is not so much flat black, then a row of dots descending out of the yellow, and finally a few small geometric areas of the same color of turquoise green added on the right side of the orange ball and in other tiny areas. That’s it for now. I really do like the YLC painting at this very moment in time. It makes me happy to look at it and I think it is full of positive energy,  movement and drama. I see no negativity in it, and most of its areas work singly as well as enhancing the greater whole, as I see it. You can zoom in for details.

The summer has been a significant and important one for me with many exciting new experiences with friends and family, and the good karma of that has been manifested in this painting and others I have done. My paintings have been strong but joyful, powerful yet inviting, poetic and revealing of my happiness. Those of you who know me well understand exactly why and where this energy came from….and I am proud of the resulting artwork. I believe the art Buddha would be proud to hear about that, whether or not the YLC made it into a show. I am smiling as I say all this and all is well here with me. I wish the same for all of you creative ones.

Namaste.

 

 

 

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2 responses to “September Report on the Year Long Canvas

  1. Thick skin is required, that’s so true, but what’s really important is an indomitable spirit and that’s your strength. It comes through in your writing about the YLC and the gallery selection process. Congrats are due especially on sticking with the YLC! There must be a book in there with all you learned from it.

    Like

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