Tag Archives: Art

The Year Long Canvas reaches her one-year mark!

Posted on by Jo Ann Brown-Scott

?????????? ?????????? 

?????????? ??????????

The Year Long Canvas has had several major changes today, and you can compare them with the previous version below, as well as with the very first start of the original painting from a year ago. I worked the new additions to the composition from all sides today and offered all four orientations of her for your review. You can zzzzzoom in and see her texture – not quite as thick as I had imagined it would be at her first year anniversary.

This project might not be 100% finished at this point. If I look at this painting long enough I will always see something I would like to change…it is a sickness…never being satisfied. But perhaps my fatigue with the entire project will prevent any further work. I cannot say that this newest version is my favorite of all the stages of the past year, but it is certainly among the top three. It has indeed been an exercise in patience, perseverance, dissatisfaction and approval, unease and comfortable-ness with my own work. If the lesson to be learned was that I should trust myself more, that has been accomplished. I was at times discouraged that I would ever be able to make a whole new painting over the top of many other incarnations, but I did it, over and over.

My son says this painting reminds him of RIO – a landscape in other words if it is placed horizontally. It does not remind me of Rio, but it does speak to me of action, energy, optimism and fun. So maybe it is RIO after all! I cannot decide which orientation I prefer…I really do not care at this point. I just like the color, texture and pattern of it, and most definitely color is the thing that grabs people first, then maybe the dramatic composition. The sensuality of color is usually what most people respond to in art and try as I do sometimes I cannot do quiet neutrality. It bores me to tears.

I have had a great year with this project and I hope you have too! Phew…I think we almost made it. Thanks for hangin’ in there!

??????????  newclass 004

Previous version on the left and the very beginning of it last March on the right.

The DYAO Painted Violin Project, Denver

Posted on by Jo Ann Brown-Scott

2vio

My first violin, Scheherazade, from season 2011-12

Some of you might remember that several years ago, in late 2011-2012 I was asked to donate a painted violin to the annual Denver Young Artists Orchestra for their annual fundraising event. Visit here to learn more about it –  http://www.paintedviolin.com  or  http://www.DYAO.org and also my own WordPress Archives.

Every year a number of artists are invited to paint an old, retired violin, three-dimensionally of course, in whatever style, media and mood they desire, giving it a specific theme and title. The newest group of violins are introduced to the  public in the fall of each year with a lovely gallery opening, then they tour local Denver fine art galleries for several months on display and for sale, ending the season with a final gala event to honor them in April of the following year. As you might imagine, the finished violins are diverse and spectacular to see. It is quite an honor in the local Denver art community to be chosen to paint a violin, and I am especially proud to have been asked to paint one for the second time in the coming season of 2015-2016. I am included in a smaller group than in past years, of just 12 violins.

I have been working on my second violin for several months, and I cannot allow you to have even a peek, but I can tell you that it is something I am very proud of and for which I developed huge affection. This violin came to me from the violin committee almost a year ago, and she has been sitting here in my studio patiently (well not always patiently – some days she fidgets and almost speaks to me) awaiting her new identity. She came to me old and weathered – she has a history, and she looked like it with a beautiful, naturally weathered patina and the promise of a story to tell. I valued her long musical career and her time worn pride, and I decided not to obliterate that with any technique that would cover up her elegance and dignity. From the first time I saw her, I visualized one, and only one, way of adorning her. It seemed so appropriate and fitting – I tried as hard as I could to spark my imagination into a Plan B, even a second or third alternative, but I could not imagine anything else. So she and I completely agreed upon her new identity and it turned out very well.

In late September or early October she will be revealed. Coincidentally, or not of course, this particular violin had a past that coincided with my own at several junctures – in locations that are meaningful to my family and hers. That alone is rather goose-bumpy and pleasantly chilling; are there really any such things as coincidences?

The art Buddha was with me on this, for sure, and the Karma was right.

Year Long Canvas, 11/24/2014

Posted on by Jo Ann Brown-Scott

YLC1122 003

Year Long Canvas as of 11/24/2014, copyright Jo Ann Brown-Scott

“Let yourself be silently drawn by the stronger pull of what you really love.” – Rumi

Please check my archives if you have no earthly idea what this Year Long Canvas is – painting this canvas is an ongoing project and carries with it quite a story. As you can see, she is back to being horizontally oriented again but you can like her in whatever direction you prefer. If you see a landscape here you are not alone; with nothing else at all done to her, or with a few small tweaks, the landscape idea could become more obvious right now, but it is still too far away from completion for me to settle on a landscape. Call me crazy but I have recently also seen the possibility for people in this composition – not large people, but groups of small people congregating as if waiting for something…in a horizontal row extending from one side to  the other, just along the upper side of the dark stripe that is the new change for this week. They would not be very tall, they would be colorfully dressed and have no distinctive faces. Just waiting.

I always thought that I wanted this painting to be an entirely abstract expression, with nothing recognizable, but I am even rethinking that now. My mind is an open book.

I am definitely learning to better trust myself after all the months of work; to trust my decisions and my judgment, as was one of the original goals for the project, but the other thing that has resulted from doing this, to tell you that truth, is that I have become quite a bit more open-minded about my own work. I accept my own opinions of my own work, which I suppose is one facet of trusting myself after all.

I love painting although I seldom understand it thoroughly. It might come as a surprise for many of you to know that almost every artist does not necessarily like his own work all the time. Many times I have painted a canvas that is not of my own taste. Even within my own paintings I see areas that are not always to my own liking, but sometimes I leave them there anyway, without my own approval. They bother me, they go against my grain and I know that sounds odd, doesn’t it? Well it’s  a strange exercise in intentional imperfection, which I do believe it a useful experience in art. It wakes you up.

The art Buddha understands why I do that, I do believe. He is still smiling and has a twinkle in his eye about this subject.

 

 

The Wisdom of the Ages

Posted on by Jo Ann Brown-Scott

  

Photo #1 courtesy of thevirally.com   Photo #2 courtesy of lasplash.com   Photo #3 courtesy of ntang17.blogspot.com

I taught mixed media collage for three years in Lincoln, California, and one of the things I always said to my class was that the first people to ever use the technique of adding texture and three-dimensionality to art were  cavemen and cavewomen. (I am assuming women also contributed to the ancient art on the rock walls inside caves.) Recently new evidence of those artistic mixed media roots has been found in caves.

In the introduction to my mixed media collage class I said this, “Abandon your pre-conceived notions about traditional fine art and begin a mixed media journey where improvisation, freedom from boundaries, self-discovery and originality are valued higher than any predictable destination.” Mixed media painting is a highly improvisational and innovative type of art – a “fly by the seat of your pants” (or paints) type of art. It is pretty much balls to the wall – gaining new ideas as you go and incorporating them into your fast moving composition. It is using what you have at hand and making the most of the world’s simplest gifts.

Texture, pattern and color are the dance. Any degree of sculptural relief – where the painting’s texture comes up off the background in a tactile kind of effect – is much to be desired. Collage papers are welcome; as is any other kind of found object that might add fascination and special interest to the image. There is no order of things – you can start with paint or papers or your collection of found objects. This is Art with Abandon! It is the ultimate art in recycling, using old bits and pieces of things to create fresh, new fine art suitable for framing.

This is not a new idea; people have been doing it for years – for eons of time. The very first cave artists who would now be classified as a mixed media artists were the inspired ones who first drew an image of an animal of some species and then – OMG – then glued some dried grass and other found bits of twigs and earth under the image with wet mud, creating a realistic, three-dimensional mixed media collage scene. Recently they have found just such images – more than one – to prove the extraordinary artistic vision of these very primitive people. Artists also utilized the rough surface and particular colorations of the rock wall itself by choosing to draw on specific locations that brilliantly enhanced their images in both 3-D contour and color. These people were very sophisticated in their artistic talent…very discriminating and wise in their choices.

Can you imagine the cave  mom, as she roasts a hunk of antelope over the fire while being pestered by her hungry family, saying, “Get some charcoal and go draw me a picture on the wall – dinner will be ready soon – now go!” And one person, perhaps just one at first, grabs some grass and a handful of earth and pebbles, then using wet mud left by the rain he/she pastes it under the animals, and in doing so positions his animals in a realistic landscape. Suddenly we have an entirely new artistic concept. Can you imagine how thrilled he/she must have been with that gesture? It gives me chills to think about it.

Many locations around the world have also revealed handprints – hundreds of them. Plentiful and childlike, colorful and animated and most definitely a playful way of passing leisure time and leaving your signature. Children all over the world both in and out of art class do the same today with finger paints, clay, concrete or even mud.

It seems that the more things change the more they stay the same. Art has always been universally appealing and it speaks the language of the ages. Put yourself inside a cave on a rainy day and what are you going to do? Well, paint of course! Or in the evening, by the glow of the fire, waiting for bedtime….you paint about what you saw during the day. The level of detail, the intensity of the hunting scenes – it is just fascinating to observe in the primitive cave art from all over the globe. And if you choose to zero in on the cave art that depicts extra-terrestrial art showing weird Martian-type creatures and what look like space ships, then you will be off and running in an entirely different direction! It does make one wonder, does it not?

 

 

 

 

 

 

 

Making Yourself Vulnerable

Posted on by Jo Ann Brown-Scott

??????????

Against the Sun copyright Jo Ann Brown-Scott 2014

“All day I think about it then at night I say it. Where did I come from and what am I supposed to be doing? I have no idea. My soul is from elsewhere, I’m sure of that, and I intend to end up there.

This poetry. I never know what I am going to say. I don’t plan it. When I’m outside the saying of it, I get very quiet and rarely speak at all.”  – Rumi

Art is very similar to writing, and one of my favorite quotes about writing which I cannot remember verbatim, says something to the effect that, “Writing is easy – all you do is open a vein and let it pour out.”

The same could be said of painting. You just have to be more than willing to let it all come out, opening yourself to that uncomfortable feeling of being vulnerable. Really really vulnerable. Hit me with your best shot, you think to yourself, and I will somehow absorb that blow and learn from it and move forward. It’ll sting like hell but that hurt is what keeps me alive and persevering.

Artists, writers and all creative people are the brave ones. The ones who spill their blood & guts onto canvas or paper and wait for the reviews. Some refuse to hear the reviews; others use them like salt in an open wound and they learn from them, if they choose to take them seriously…..and we all know that often the harshest review comes from the least qualified person to deliver it. If you are an artist who has ever had a show of your own, and you are wandering around listening, anonymously, to people’s conversations about your art before they have actually discovered who you are – well that is fabulous. The raw, the uncensored, the blunt, the stunningly honest observations are breathtakingly valuable. But you have to be strong.

I believe that artists and writers who cannot make themselves vulnerable are seldom going to break the barrier to attracting a following that lasts through the years of a career. Sustaining a selling career for an entire lifetime is not impossible, but for most of us, if you fall away from your own authenticity and lose your soul somewhere along the way, I think your sales will suffer and then your next step is near obscurity. Your fifteen minutes of fame are over; throughout the chapters of your life it is difficult to be a consistent success. In the literary world of books, which I do know something about, many authors have a blockbuster hit that might even reach the New York Times bestseller list for weeks only to find that they had only one fine book in them. They (the literary “big guys”) say that almost everyone has one book in them, since we all have a compelling story of some kind – but can we tell it? Can we spin the tale to make it marketable? That is the question. Think back to just one example – “EAT, PRAY LOVE” by Elizabeth Gilbert. She told a hell of a good story about herself and made millions. She spilled all of her guts and had nothing much left. We all know of many other authors who never managed to be inspired enough to succeed with a second or third or fourth attempt.

It all boils down to sincerity. Open up, be vulnerable. Tell your story or paint it – but bleed it all out. Then see what happens.

 

YLC Flips and Fades to Funky Black

Posted on by Jo Ann Brown-Scott

 

??????????

copyright 2014 untitled,  Year Long Canvas, by Jo Ann Brown-Scott

Hello again in mid-August – I have once more done some major work on my Year Long Canvas project and it is a shocker this time. First of all I was tired of the horizontal routine so I flipped her to orient her vertically and she  immediately presented new possibilities for me. …working from all directions is a very good thing. In my humble opinion, these changes today are the most pivotal and transformative changes yet.

Could be a coincidence, the reason for the dark drama – we are going to the Denver Botanic Gardens concert tonight, picnic dinner and wine in tow, and the headliner is none other than the marvelous B B King. I am feeling all bluesy and funky and that means you must not interpret the black as a depressing twist – quite the opposite. I am feeling kinda jazzy, kinda sexy, to tell you the truth. That happens you know….and the art reveals everything if you know the code of the artist. Artists speak in tongues – difficult to decipher, but the general mood is often rather apparent, especially if you are familiar with the work of the artist. You can find clues. You know by now, if you have been following my art journey, that in my artistic language the color black is very seldom, if ever, a sign of negativity. I use it for drama, strength, focus and sometimes for the kinds of music I love. The kind that makes you want to swing and groove to the move.

The YLC is going to B B King tonight, one way or another. It is also, miraculously, the night of the SUPER MOON, and so the painting incorporates that. We hope it does not rain…but if it does we will simply get wet and linger on. B B will be under an awning, thankfully, and so the music will continue and in the words of the song, the thrill will not be gone for us……in fact it just keeps getting better.

The Year Long Canvas #14 – Progress, Endurance and a Big Spill

Posted on by Jo Ann Brown-Scott

“There’s a little black spot on the sun today

That’s my soul up there

It’s the same old thing as yesterday

That’s my soul up there

There’s a black cat caught in a high treetop

That’s my soul up there

There’s a flagpole rag and the wind won’t stop

That’s my soul up there.”

Lyrics to KING OF PAIN by STING

newclass 004   ??????????   ??????????

YEAR LONG CANVAS – very beginning, last week and today’s small progress

Well hello again – the YLC canvas and I welcome you back. In the previous post I listed some of my background info and news, and since I am putting together a brand new portfolio I had all that information gathered together so it was convenient and easy to do a blog around it. The painting I posted with that blog entry WAS NOT the YLC, as I hope you realized from its title….and its composition. That post was a delay and denial tactic. The YLC has sat untouched.

So we are due for an update on the old YLC and this period of time has  been tough – I knew those times would get here…. I have not been able to concentrate much on the YLC for the past few days. I have been concerned about some issues that are so near and dear to me that my mind is preoccupied. Nothing life threatening, just annoying small stuff that usually I can shake off, but this week not so much for some reason. Even the horrific news about Iraq has me rattled. As if I could do anything to change it. The result is that the YLC has not enjoyed a single new stroke or even a fond glance for about 2 weeks. But I have gotten a lot of other tasks done. Stuff that requires absolutely no intelligence, actually, but has to get done. One of which was to change the printer ink, when I spilled red ink all over me, instantly looking as if I had been brutally stabbed in my thigh, stomach and hand…and it will not scrub off. So what an interesting weekend that will make when I get out and around.

After the stabbing however I did make a few offerings to the YLC and the art Buddha. Nothing major – uninspired things you might not even notice, nevertheless I can honestly claim that I changed her. That is all I have to do, you know, is keep changing her.

Just for fun I have pictured the canvas as she was when I started on her months ago, then the second photo is how she looked before I worked on her today, and the third photo is the newest version of the canvas as she is this very minute. Maybe you will see the changes. If not, don’t worry about it. It’s pretty uneventful.

Have a lovely weekend!

 

Background Information and Announcements

Posted on by Jo Ann Brown-Scott

 

??????????

Mixed media Collage titled EMERGENCE, by Jo Ann Brown-Scott – copyright 2014

I would like to thank you all for visiting the blog and keeping up with the progress on the YEAR LONG CANVAS. I appreciate it very much!

I often get requests for more information about my art and requests to see a larger selection of my recent paintings.. Therefor I am offering a brief background and bio and some links. My website http://www.epiphanysfriends.com  is the best place to visit for more images and updated news.

For those of you in the Colorado area there is a show titled WATERMEDIA at the Evergreen Center for the Arts beginning this month; opening night is June 27th, 2014 from 4-7pm. You are most welcome to attend. Three of my paintings have been accepted for that event.

BRIEF UPDATE

Returning to the Denver area in mid-2013 after seven years in northern California has been motivating and renewing.  I am reconnecting with old friends, painting with a fresh, spontaneous energy and becoming active in the Denver art scene once again.

Artist’s  Statement

The art began with watercolor and developed a life of its own; it has evolved, grown wider horizons and added depth through the chapters of my life, almost without my assistance. Painting with acrylic provided new possibilities. I offer different takes or viewpoints now, while still using my same recognizable style as the common thread over time. Color, pattern and texture are my passion, the message in the art, my secret; yet there for all to interpret. I am motivated by the goodness of most people, my basic wonder at our existence, and the stunning beauty of earth.

Art Themes – Abstract Expressions Indicative of Universal Themes

Recent fascinations and preoccupations that scroll through my thoughts and spill their subtle messages from paintbrush onto canvas include the concept of times passage, ethnic cultures across the globe and the basic, primal simplicity of the days and nights we all share. In a world of chaos and random events, the spirituality of certain humble rituals common to all of our lives captures my attention. I celebrate the rituals that unite us, the hearts and minds that hold us together.

Brief Bio

I grew up in a large country home on eight acres of green hillside and dale in southern Ohio, outside of Dayton. During those early years it became apparent that art was my passion and I came west to the University of Colorado in Boulder to study art and never went back. I  emphasized painting and sculpture along with English Literature and psychology. I have been painting professionally ever since.

“I began professionally marketing my art at the suggestion of a much-admired instructor after college was over and I had begun living in Evergreen, Colorado. In 1984 I was personally invited by the Evergreen Chamber of Commerce to create an original painting – a snowy winter scene, reminiscent of Evergreen and the Christmas season – from which the very first Christmas in Evergreen Limited Edition Posters and Christmas Cards were printed and sold. That year began the tradition of the Evergreen Christmas Poster which in subsequent years became a contest open to local artists. It also became a pivotal moment in launching my own career to a higher degree.” 

In addition to painting I have taught interior design, published two books about life-changing epiphanies and taught mixed media collage to adults for three years in California and held positions in sales, marketing and gallery management, to name just a few of my other incarnations. Currently I am concentrating solely on my painting, enjoying the exhilaration of fresh inspiration, less driven by the demands of others and more in tune with my own priorities. My art is wiser in character, weathered by time, and unapologetically relaxed. The art reveals all, as it always has, and is better with some years on it.

NEWS AND LINKS

ADDITIONAL RECENT WORK can be seen at www.artspan.com – Jo is listed under ARTISTS, then MIXED MEDIA. When you find her name click on it and several of her paintings will appear -select any one of them to be taken directly to her artspan website.

THE OFFICIAL WEBSITE for author and artist Jo Ann Brown-Scott is http://www.epiphanysfriends.com

JO’S CREATIVE EPIPHANY BLOG – If you would like to follow Jo’s Blog,  go to: www.thecreativeepiphany.wordpress.com

On this blog site you will find archives of all previous posts, including many posts about the noteworthy YEAR LONG CANVAS challenge – nicknamed the YLC – about working on one particular canvas for an entire year. Photos included of course.

SPECIAL ANNOUNCEMENT – Jo is proud to announce that for the second time in the past few years she has been selected to contribute a painted violin to the annual Painted Violin Fundraising Event for the Denver Youth Artists Orchestra.

For more information go to –  www.paintedviolin.com  or  www.dyao.org

Pictured below is Jo’s previous violin from the 8th Annual Fundraiser for the DYAO titled SCHEHERAZADE. There is more information about this event any my first violin in Jo’s blog archives.

2vio

Year Long Canvas Week # 10 – Reprieve

Posted on by Jo Ann Brown-Scott

snow SNOW DAY

The YLC has had nothing new added since last week due to a freakish spring SNOWSTORM in the Denver area and the mountains, making a commute into the city for Monday art class a crazy idea even for me. It was freezing cold; the snow kept coming down, and what began as a slushy rain on Saturday turned more syrupy and thick and then serious by Sunday. On Monday morning it had snowed all night, gotten much colder and morphed into black ice on the highways and a total accumulation of about 7 inches south of Denver where I live and 24-36 inches in the foothills and higher country. The skiers are nuts with joy; the highways up to ski altitudes are clogged with people ditching work and Arapahoe Basin will stay open until June, they have announced. Here where I live, today is better with just cloudy skies, temps in the 50;s and snow nicely melting off all roads. By the weekend we’ll be into the low 80’s.

Oh I know, I could have worked on the YLC at home, but I like to “do her” during class because the energy is so palpable and positive you could cut it with a knife in that classroom. But I also, yes I do, I really really do, like her so well the way she is that I used the “snow day” excuse to give her a reprieve until next week’s class. That’s legal and I made an executive decision to let her rest. I need to think and carefully calculate what will happen to her next.

I actually spent the snow day re-working an old 18×24 inch canvas that I had stored in a closet, and I am pleased with what happened. Often the best work I do is giving life-support to old compositions that I became so disgusted with at some point that I shoved them away into a closet, letting them rest and slip into an intentionally induced art coma. Not as punishment but to give us both a time out, allowing frustrations to settle down. Taking them out, months later, breathing oxygen into them and seeing them with new eyes is usually worth the effort. So yesterday I did that and the attached photo is the finished composition.

?????????? Mixed Media painting titled WHEN IT ALL COMES DOWN, copyright 2014, Jo Ann Brown-Scott

This painting surprised me. The places that are re-worked and covered up with new ideas amount to about 3/4 of the finished image. Only the orange area is original and untouched. The decision was what to cover up and what to enhance, as is usually the case. If you zoom in you will see that there are some shapes delineated with black ink, almost like boulders and stones falling. The orange area has a definite sun, and a sunset type of glow. You might choose to interpret this as a literal landscape with some kind of rockslide and a sun setting above a horizon but that would be the easy way out.

I prefer to think of it as a slide, a break, a tumble of some “LIFE” issues happening in a chaotic rush of action placed in contrast with the permanence of the sun rising and falling every 24 hours in a constant and reassuring event that tells us all that some things never change. The sun will come and go, regularly alerting us that life goes on. Thus the title – WHEN IT ALL COMES DOWN, life continues and hope endures. That’s my story on this one.

 

 

Singapore, George Clooney, the Arctic Circle and Food

Posted on by Jo Ann Brown-Scott

lunch    monk     paellaguy0ne    fishguy

panda    jump    urn    photo 5

Tomorrow is my Monday art class – advanced abstract expressionism. If you are following you know by now that I have been offered the odd assignment of working on one canvas for an entire year. Oh I do other canvases too, but I use one of them as a 365 day continuing, living breathing project that I vow to keep working on whether I want so badly to finish it or not. Yes I accepted the challenge. Yes I sometimes feel that I am nuts to have done so. You have read all of my speculation about the why’s and wherefores of this project (check my archives) – I am sure you could offer some new ideas I have not yet considered about the lessons to be learned from doing this.

What I do know for sure is that I am not a person who gives up easily or is likely to give it anything less than my best effort. I believe that when you commit to something you keep at it until it is no longer for the good of any one thing or person – it has turned sour, in other words. I don’t foresee that happening with this project – there is just so much to be learned from it.

But I do want to think about other things besides THE CANVAS. It is a big world out there and whatever I choose to fill my free time will support, inform, guide and feed my art projects – all of them. I am working on several things at once, parallel with THE CANVAS. Life goes on, all around them.

Today some of my thoughts are on Singapore, for instance, and a trip I made there last fall. I cannot get Singapore and Bangkok off my mind – in a good way. I miss them. I want to go back. I learned a lot while there. The entire journey was eye candy for me, but I also learned a lot about Asian people, Asian food, legends, Buddhism,Monks and relic tooths and Jim Thompson textiles and silk worms, temples and markets and the Asian art of foot massage. What an exotic trip. Thanks to my lovely daughter who was my tour guide, and knows the area well, my simple mind was loaded up with layers of complexity. That is what travel does.

I am also thinking about that rascal George Clooney, who is astoundingly, enthusiastically and actually voluntarily engaged to a lovely woman who is finally, I believe, a person with brains as well as beauty. For all of us (girls mostly) who have been fascinated with him from afar, this is something that has captured our attention. This will be interesting, watching the progression, from sworn, dyed-in-the-wool bachelor to husband……would love to have been a fly on the wall when gorgeous George changed his mind and had his epiphany.

One of the best meals I ever ate was at the Turkish café pictured above, located in the Arab Street section of Singapore. I am thinking about food (I am starving and ready for a meal right now) and how it unites us all in its never-ending daily preparation ritual. You are fortunate to have it and lucky be you if you can enjoy the luxury of  choice, answering your cravings and satisfying your palette. If you have a well stocked pantry, I consider you wealthy. If you ever watch the National Geograhic TV show called “Living Below Zero” about Americans who live near the Arctic and must hunt caribou, bears, fish, goats etc , for survival, you are probably as impressed as I am with their strength and courage. Their pantries are well stocked or not depending upon weather, ammunition, deadly accurate shots and absolute luck, plus their own ability to trek way out into the wild and cut up and haul back whatever they shoot. I know that I could never do that.

Back to George Clooney – he does great things in Africa. And she is a brilliant lawyer based in London who deals in Humanitarian issues. Perfect.

Aren’t you fascinated by what other people do?