The Creative Epiphany – People Who Need People

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Sculpture near the Fullerton Hotel in Singapore, river flowing below

Hope you are enjoying this series about Singapore and Thailand. I believe that this will be the final blog on my experiences there, but then again one never knows.  It struck me today, especially today, now that I have been home a week and have some perspective under my belt,  that the backbone, the heart, the soul of anyplace you go is of course the people and how they represent themselves in art, sculpture and real in-your-face life. What a person like me chooses to make permanent with a photo says so much. I, personally, look for moments that capture a variety of emotions that float my personal, uncomplicated and joyful little boat. I was on vacation – I chose to be easily entertained. I saw wonder everywhere.

In many of the places I visited, accompanied by my daughter, we were met with the friendly question – Where are you from? The curiosity was enormous and reciprocal. I wanted to ask many things of the people I encountered along the way but at the risk of being perceived as rude and pushy, I did not. You must remember that the Asian people are usually more reserved than the typical American. Someone asked me when I got home if I believe that the people where I traveled like Americans – if I had to guess, I would say that in a small group, almost as small as one on one, they generally do. They seem to get a kick out of us. But many people listen to CNN and BBC, Aljazeera  and other far more objective news reporting stations than we offer here in the USA, and so they are very much aware of our recent Congressional dysfunction and governmental foolishness because it is on display to the entire world. I never asked what they think of the USA because I didn’t want to hear what they had to say, really, and I was at risk for putting people in uncomfortable situations with little time for a totally thoughtful response. My choice was to enjoy the light-hearted and brief exchanges that came my way and call it a day.

But of course people fascinate me. Thus the following selection of pics that made me smile because of the universality of them, the sense of humor they display, and how flattered and happy most people are when you ask to take their picture. AHHH…that is nice. Now we are friends, they say with their eyes. We have made a personal connection and I will be with you forever, held in touch by the tiny thread of one photo in your forever collection. Thanks go both ways. The epiphany here is the human connection, and that without specific words exchanged, we know we are all souls together in this life.

antoinettes  guard   hindu  fishguy

newclothes1newskirt   bobby  monk

paella2  paellaguy0ne  panda  people

school  Thaiguyone  Thaiguytwo  lunch

The Creative Epiphany – Seems like a Pattern Might be Forming

stairs  If you are a junkie for the sensuality of color, the allure of textures both worn and shiny new, and the perfectly fascinating personality of various patterns, then you must take a look here. I am an artist – I paint. I am especially passionate about color, texture and pattern which are always present to a certain degree in my artwork. I just returned from a trip to Singapore and Thailand – can you imagine my delight, observing such magnificent color, such tactile and time worn textures and such intensely busy pattern?  I was on such a happy/goofy level of sensory overload the entire time I was there that the culture shock of coming home was evident to me on so many levels…I flew through Seattle back into the states…and it was raining and gray….coming home…leaves gone from the trees…winter.

In this photo gallery I hope you will notice that this much color and pattern and texture brings a joyful response from your senses, a few audible WOW’s I hope – yes it is a lot to see all at once so take it in small doses if you’d like – but please do accept these pictures as a sign that the world can still present you with visual delights that make your heart race. Surprisingly the restaurant shophouse entry with white chairs, so uninhibited in color that you might suspect it of being Mexican, is actually located on Arab Street, where some of the most fun and friendly people greeted us. The ornate temple facades, reminiscent of icing on birthday cakes (no disrespect intended!)  are of course from the Grand Palace grounds in Bangkok where the three-dimensional tiny mosaic pieces are not much larger than your thumbnail. The gorgeous mural at the top of the stairs in the first photo is in the entry foyer of the Four Seasons Hotel in Bangkok.

Have a look – I hope I will detect a smile of pleasure on your face. If it makes you dizzy, enjoy the ride.

photo 5 (2)photo 4 (2)photo 2 (2)

photo 3 (3)   arab  urn  manone

mosaic  monks   flowers  mantwo

mosaictwophoto 1 (2)

The Creative Epiphany – Sustaining Creativity, Part 2

vangogh Van Gogh – a creative talent sustained over a lifetime, in spite of vast misfortune and little reward.

In the previous post I touched upon the subject of Creativity – personifying her as I see her – exposing her fickle nature. Her tendency to use us at her will, wringing every last imaginative drop out of us  and then abusing us and abandoning us  when she grows weary of us. Leaving us with the impression that we are unworthy of her faithful and consistent attention and her inventive charms.

It is a common complaint and a valid observation from artists, musicians, writers – all of you creative ones – that creative inspiration comes fleetingly at times and is difficult to sustain for the long haul. There are those who say that it need only visit you once to make its mark and give you a “15 minutes of fame” distinction. As in the case of the song writer who writes the song that everyone on the planet is humming  which sells a million or more CD’s. Or the author of a New York Times best selling book who then finds that he/she does not have a second best selling book in his/her lifetime – that happens a lot. But hey, maybe you should be thrilled  being a one-hit wonder, because it is better than no hit at all. It puts you on the map. People respect that and it takes you a long way in the game of life.

But still, the thing is, creativity is such a flaky wench. She is never dependable. How can you make the most of her visits and keep her engaged and happy so that she moves right in and stays a long while? Perhaps for a lifetime?

Let us consider the importance of the inner voice. The strength of an inner voice can be tapped into, guiding the creative ones, the artist for example, past enormous earthly noise. This ability to follow an illuminating inner compass allows the genius soul of the artist to triumph over distraction, focus and live on forever through work that is aligned perfectly with the purpose of that artist and his universe during his particularly shining, rarified point in history. His lifetime.

If you, whatever type of creative being that you are, can maintain a consistent level of fine creativity over a long period of time then perhaps you have had the experience of feeling uncomfortable accepting all the credit and praise for your own fine achievements. Creativity seems a separate entity; apart from you; she is the shining one, the genius. Quite honestly, you might feel you were a mere vehicle for the expression of your greatest creative ideas – you were just the means for giving them life. They happened to you rather than by you. You feel that some of your finest work and your most original ideas were effortless and not entirely of your own mind – so “involuntarily” accomplished that they seemed to flow through you from somewhere above you as if your actions were being orchestrated by some far more gifted conductor – the beautiful, illusive, divine Creativity God. You felt like a puppet channeling gifts from beyond, strings attached, arms flying in all the right directions, but totally under the control of another entity.

If you are an artist who can tap into this “flow” of creativity it is more a surprise to you than anyone else that your best work is born through the strokes of your own paintbrush or pen. In fact, it is difficult for you to remember how the process unfolded, as you painted or wrote or composed a song, because initially this “flow” experience was beyond common understanding and unlike anything that had ever happened to you, the creative person, when it first occurred. It was of course your work, it was your style, it was your time and effort; it was your paint and your canvas and it was done in your studio space, but the inspiration was so obviously not of this world and the result so much better than your own mere earthly thoughts could have planned to achieve. When this happens, as the work is progressing, the hours fly by, energy does not wane, the steps taken toward completion are automatic and effortless; this level of inspired work is achieved in far less time than other paintings labored over for weeks. And yet it results in your most inspired work; it is the work of your soul in sync with the universe. Creativity was there in the room, but you were more aware, more present, more inspired than ever, receiving messages from your soul.

Ken Robinson, in his brilliant book about creativity titled Out Of Our Minds, Learning To Be Creative, says on page 154:

“Creative processes draw from all areas of human consciousness. They are not strictly logical nor are they wholly emotional. The reason why creativity often proceeds by intuitive leaps is precisely that it draws from areas of mind and consciousness that are not wholly regulated by rational thought.”

On page 155 he continues:

“The term ‘flow’ has been used to describe peak performances. These are times when we are immersed in something that completely engages our creative capabilities and draws equally from our knowledge, feelings and intuitive powers. These peak performances typically occur when someone is working in their element at the peak of their performance. In this respect, creativity involves particular attitudes and being able to access deep personal resources. There is a further factor, which is difficult to describe. Perhaps the best word for this is passion.”

This magic happens in other creative endeavors besides art – musicians such as Sting speak about having no remembrance of how a particularly brilliant song was written or truly understanding the profound meaning of his own lyrics until years later… Inventors suddenly know what must be adjusted for the efficiency of their revolutionary new whiz-bang idea. Or for another creatively inspired one, a great solution comes by way of a dream. In any case, you had an epiphany – a realization.

A creative epiphany can arrive in a sudden shudder of realization, or a slow unfolding of obscure information that forms a finished puzzle as it reveals itself in your mind. It can arrive via an inner voice from your soul that is most assuredly audible in your mind’s ear as it offers you instant advice or a fast solution to a problem just when you need it. Something seemingly unrelated, unsophisticated and of humble origin might trigger the breakthrough of epiphany required for your missing solution to be heard. Epiphanies come in many costumes. They are not proud; whatever type of energy carries them along is just fine for their purposes. Because whether they arrive in elegant style with pomp and circumstance or in the most common of events, they always bring discovery and illumination, as if a light bulb was suddenly turned on, clearing the shadows of our mind. Epiphany is always offering a previously over-looked solution or a startling jolt of new information or a missing ingredient essential to your creative process thereby clarifying your understanding about something you urgently needed to know. Epiphany always knows what information to bring to you if you will listen. Just listen.

I believe this alignment with the universe, when a brilliant message of creative realization is received and then executed by an aware mind, is a CREATIVE EPIPHANY. 

Epiphany will always be Creativity’s best friend, her illumination, her guardian angel, her candle in the darkness. Epiphany always brings news. Creativity must keep an open mind for Epiphany’s message – so she lives in the now, receptive and eager for that special visitor. She listens for her, she watches for her, she can feel the vibration of her impending arrival whether by a thunderous, earthquake shifting of thought or as subtle information, delivered like the slightest flutter of a butterfly’s wing, discernible amid worldly chaos. When Epiphany arrives, you know it. She has no substitute – she is never mistaken for anyone but herself. All the other crazy voices in your head step aside to facilitate her entrance. She brings full body chills to Creativity.

Creativity dwells in our soul and travels through our hearts and our minds. She enters from the open door of the universe carrying free samples of Inspiration. She gets you out of bed in the morning; she calls for your attention. She sings the music of ideas. She chants mantras of encouragement. She meditates while performing humble rituals. She is the reason for wondering. She challenges you to do more – to continue at your work, your hobby, your garden, your learning, your love of life – and to discover your authentic calling. Creativity is actually always there – she never leaves – but you must be aware and open to her song of epiphany.

Portions of this blog were excerpted from Jo’s book, THE CREATIVE EPIPHANY – Gifted Minds, Grand Realizations available on Amazon.com

link to book www.epiphanysfriends.com

The Creative Epiphany – The Historic Denver Perrenoud Building, Where Africa Came Alive for Me

   photo courtesy of  historichomesofDenver.com

        photos courtesy of uptownonthehill.com

Little did I know back in 2003-2004 that this remarkable historic private residence, built in 1810, would play such a pivotal role in my life and my art career. The Perrenoud Building, originally designed and built as a family home at 836 E. 17th Avenue, Denver, Colorado for prominent Denver pioneer John Perrenoud and his wife and three daughters, showcases an eclectic mix of classical elements over an enormous span of six separate family apartments  on four levels. The only fully functioning brass and wrought iron birdcage elevator in Denver still transports residents between floors – and originally there were individual dumb waiters ( small elevators in each private kitchen) which delivered piping hot  meals to all residents from the main kitchen located in the basement. Maids quarters were located in the top attic, and a newly restored ballroom is found in the basement, where originally a speakeasy was hidden away, with blacked out windows and ample room to dance and drink forbidden adult beverages.The main floor atrium lobby rotunda with Italian marble floors and fireplace, is a rare gem of an entry foyer – a towering ceiling, open railings and stairways to all four floors and topped by a spectacular, original stained glass window in blues, depicting angels sitting on a cloud. Can you imagine the fascinating history of this place? Do you get visual images of carriages arriving, parties in the ballroom and the grand life?

Today this glorious residence is divided into luxurious condos, each offering old world living with exotic woods and carvings and a European flare right in the heart of downtown Denver, just a short stroll away from the Capitol Building. One condo was purchased by my dear friend Christine-Mahree Fowler. I had worked for Chris, as I call her, for several years as the director of her art gallery. She told me about her experiences in traveling to South Africa – she listened to me talk about how I had inexplicably loved anything African from a very early age. I clipped photos from Nat Geo and I must have watched BORN FREE a hundred times. I knew all about the Big Five before age five. The friendship took off and we became “partners in crime”, planners of ambitious undertakings, dreamers of dreams. We began to make things happen based upon Chris’s many travels to South Africa, my love of the continent and artistic leanings, and both of our knowledges of marketing, sales and event planning.

Within a short time we had partnered in an import business we named UNBUNTU and Chris was going back and forth to South Africa importing art & artifacts from several reputable sources she already had there; I was painting with an ethnic African theme as if I were indeed channeling visions of people and places I had actually never seen, and we were hosting “invitation only” gallery shows of our collection in her circa 1810, 4th floor condo in The Perrenoud. We were a great success for several key years, attracting local African experts and others who were eager to soak up the culture and learn…. The moral of this story is that things can get done if you are creative, persistent and alive with passion for a plan.

Years have gone by and our respective business careers  have evolved, yet stayed intertwined, into new completely different things yet  they are basically, logically and appropriately the result of those earlier seeds! Chris is now working as a consultant for Africa Adventure Consultants, Inc. assisting people with custom safaris.   visit www.adventuresinafrica.com  She is also writing a blog on that very subject here with WordPress – visit www.africantraveltales by CM Fowler that I highly recommend for its content and elegant style in reporting raw news direct from the bush as well as sophisticated Cape Town, its fine art galleries and shopping, wine country and the scenic South African coastal regions..

I am of course still painting, talking to Chris nearly every day and brainstorming with her on our common cause – saving the culture, animals and people of South Africa. The thrust of our creativity is now placed in the direction of making a difference in South Africa – a continent we both feel passionately about – a cause we feel equipped to lend our energy and devotion. I will be going on my first Safari in 2014, accompanied by art students I have taught and friends I have made through the years. Chris will lead us – having carefully arranged the itinerary and chosen sights and experiences that we have particularly requested. We have both decided that importing African art and artifacts should come to an end – Africa should keep and hold those indigenous treasures dear to its heart and its people. What we will continue to do is to learn, enlighten, participate and assist those people who feel as we do – that Africa’s future is at risk and there is much to be done so that much is not lost…and forgotten.

If you have an interest in accompanying us on safari – any variation of custom safari you might imagine – contact Chris, known by most as Mahree  (a South  African name) and ask for some information. You will find no one better suited to listening to your dream and making it happen for you and your traveling companions.

Mahree Fowler

Safari Account Executive

Africa Adventure Consultants

Tel: 720-612-0802  • Fax: 303-778-0633 • Toll free: 866-778-1089 • Emergency: 720 836-6531

Email: mahree@adventuresinafrica.com Blog:http://www.africantraveltales.com

Website: http://www.adventuresinafrica.com  Find us on: Facebook

 

The Creative Epiphany -1830’s Rendezvous & Spanish Colonial Market at The Fort, Morrison, CO 2013

bowFortFortFlagsMtnMan1bigTPskinsdressMtnMan2TPmoccsreddresspeter

This weekend was the 1830 Rendezvous and Spanish Colonial Art Market at The Fort, sponsored by the Tesoro Cultural Center! The weather on Saturday and Sunday was perfection after a deluge on Friday night – more rain here in the Denver area we do not need, after September floods…but then Saturday the sky cleared and  transformed itself to that deeply saturated blue that is especially evident during Indian Summer in Colorado.

Oh what a fun weekend it was, just 20 minutes away from my door to the legendary FORT RESTAURANT, founded by the great Sam Arnold, now deceased. The Fort is located on the outskirts of the charming town of Morrison, adjacent to the famous Red Rocks Amphitheater and just 300 yards off Highway 285, which winds farther up the canyon to places like Conifer and  Evergreen, my old stomping grounds. There was art, crafts, music, dancing, storytelling, Mountain Men, and more this weekend. In addition to the market, The Fort was also the location for one of the “paint out” opportunities offered to artists with the Colorado Plein Air Festival event, so artists were abundantly sprinkled on the restaurant grounds under massive red rock formations and out on the surrounding high meadows, with Denver off in the distance below. The hilly meadows are lush from the unusual rains – looking as though deep green terry cloth has blanketed the countryside. The trees are in various stages of turning, depending what altitude you are. In other words, the setting felt divinely inspired for this particular gathering.

If you like Mountain Men – the real deal – they were everywhere, dressed out in their local garb, all fringed and beaded, posing for pictures if you were polite enough to ask permission and staring you down with kind but beady eyes that reveal a wild but genuinely unique lifestyle at its best. I felt like I was at a photo shoot for Nat Geo, but ill-equipped with only my cellphone for taking pictures. Still, you get the flavor of things….

The food was elegant  “gourmet cowboy”, to put it mildly. Sam Arnold  used to be on Denver radio talking food long before foodies were named foodies, sharing recipes and folklore. We feasted at Friday night’s opening reception on Mexican chicken, guacamole extraordinaire, chorizo and refried bean dip, and  the beer and wine was flowing. In the main courtyard on Sunday, elk filets were being grilled on an open fire – whether or not you are a meat eater, whether or not you are a hunter, you had to admit the aroma was irresistible and the authenticity of the scene was genuinely 1830.

The craftsmanship of the silver jewelry, the leather and wool clothing, the folk art, the skins, the bows covered in rattlesnake skins was museum quality and the talent of the artists was evident in the fine plein air art ( art that is created out in the open air, taking into consideration the rapidly changing light, weather, sun patterns, etc) being accomplished that day. It was creativity heaven this weekend, especially so if you happen to believe that you were a cowgirl in another life – the only explanation I can think of for my deep affinity to this type of authentic 1830 era lifestyle and art. But that is for another time and a different discussion!

I have included many photos with my blog this time, revealing of the local color and the general ambience of the experience.

The Tesoro Society is “dedicated to protecting and making available to the community the artistic treasures of our American past” and they are such a success at doing just that. What an experience it was!

www.tesoroculturalcenter.org      www.thefort.com

The Creative Epiphany – Re-opening Doors

Moroccan Door

“There is a time to let things happen and a time to make things happen.” – Hugh Prather

Last week I re-opened the door to a new, deeper friendship with an acquaintance I have had for years but seldom seen. We had lunch, for less than two hours, but it was a such a quality conversation about art, life, etc.  – time well spent in other words  – that I wished it could have continued long into the afternoon. It was a brilliant moment in time, most informative and encouraging, and I was pleasantly surprised at how much I learned and how uplifted I felt as a result of that lunch. It was just what I needed and apparently my friend felt the same intellectual connection. I will be seeing more of her. Thanks for your valuable time Jane!

I have recently been concerned with how I spend my time….and I do mean SPEND. It is a commodity that is limited, precious and of great value to me – in regard to time, I am no longer wealthy. Suddenly I am on a time budget because I don’t have forever anymore. Remember when you felt that your life stretched out before you and time was plentiful? Those days are gone for me. A sense of urgency has roughly, rudely, nudged away any comfortable, mental lounging around and replaced it with a “hurry up and do it now” kind of antsy-ness. My new normal state of mind is that I am freshly agitated every single morning, at a time when a lot of people my age are picking up speed with their lack of activity….under the false assumption that they have time enough left to waste.

It is a daily challenge, feeling the urgency of life’s timeline. It is sometimes energizing and other times frightening, or even at certain junctures, downright ridiculous. It is easy to feel foolish about some of the things you find yourself doing. Should I keep my appointment to get a haircut at 1pm or do I have to start planning my trip around the world this afternoon instead? I may not have time for both…

Why don’t I have more stuff on my bucket list? I am missing about a thousand things or more – I need to look around for some other stuff to add and compiling that list will take some time. But I also must save time to paint a great body of work. People are asking me for a third book – I have one lying dormant on my PC right now that could be brought to life with a few breaths of oxygen and a slap in the face.

I haven’t seen my relatives in Ohio for the longest time but I need to see Bangkok. Guilt. What to choose.

So I begin to paint a fresh body of work, wondering how long that will take, measuring NOW against how long it took me when I was relaxed and had time for enjoying the journey. I want to enjoy the journey, I really do, but the stretch of highway I am traveling on is going off the right edge of the map. I know that painting while relaxed is so much more successful than painting in a hurry. But I am….usually….in a mental hurry. I need to smell the roses.

Not ever intending to be maudlin, at least in public conversation, I am usually able to temper my “lack of time terror” with humor and a staunch denial of the numbers of life. The birthdays. The decades. The number of summers I might have left. That’s just way too real for me. I prefer to live in the LA-LA Land part of my brain where I am convinced that the sixties are the new forties and the seventies are the new fifties. I heard that on TV and I want so badly to believe it. HUH? Laughing at that, are you? Wait until you are right there in life….you are suddenly willing to bargain with the devil, the statisticians, the medical researchers and the doubters all at once as the ever growing doom & gloom group they are. Whatever the hell works at keeping the life in my days and the optimism in my years is what I am hanging onto. I actually believe it is almost all mental, but as I say that I look over my shoulder to make sure an unannounced  train is not approaching. Luck certainly plays its part.

Anyway, finding a “new” old friend who speaks my language and lights up my life and who is wise, funny and smart is a true blessing. You are defined in large part by the company you keep and the things you think constantly about, so I am grateful to have a generous handful of quality people around me. The older I get, the more I realize that spending any of my hard-earned time dollars on people who bring me down and contribute less than a quality experience to my precious schedule are sooner or later going to become expendable. Unfortunately I just don’t have hours left in my days for the whiners. If a friend of mine needs help, or a shoulder to lean on, I am 100% in and available, as everybody in my life knows, but if I hear nothing but superficial moaning, groaning and complaining – well then I am sorry but I no longer have the time for that.

Gotta run.

Weekly Photo Challenge: From Lines To Patterns

2lod      155stripe    snow

bags     veggies     recentfolder 013    chair

This is something new for me, entering a photo challenge! FUN! The photos here are a combination of some of my mixed media collage paintings and photos taken in the past year. The images that stir my soul, in life and in art, are most often about color, pattern and texture….and I am particularly fond of lines! I hope you enjoy them.

The Creative Epiphany – Does Your Creativity Have Soul?

framed154 16×20 Mixed media collage titled AFTER RAIN by Jo Ann Brown-Scott

The news today, in a segment on www.CBSTHISMORNING.com, brings encouragement and validation that one’s creativity does indeed improve and become enhanced rather than diminished through the decades of life. Your brain continues to form inventive paths of creativity, in many cases even more effectively than it ever has. This is your creative brain on youth – Incredibly alive and open to learning!!! Yahoo!!! Bring it on!!! – but this is your creative brain with some age on it – Wise, Experienced and Dense (in a productive way) with Creative Possibilities that you discover can be combined in innovative ways.

That has always made sense to me – as an artist, I plan to do my best work ever in the next few decades. It is a known “phenom” that artists become better as they age. Well of course they do – because when you combine life experience and soul with a constantly increasing skill level the result is usually a good one. Look at the big boys and girls in the world of art – Picasso. Wyeth, Frankenthaler, O’Keefe …. they didn’t really come into their own selves until later in life. The same is true of great writers. Great anythingers. Because it takes time – time to gel and percolate and bring things you have learned and absorbed over the years to the surface. Your surface.

People need to have their souls on display in their creative pursuits. Showing your soul comes easier as you age and evolve. At some point you make the gutsy decision to unapologetically hang it all right out there – as I said in my previous blog titled THE EVOLUTION OF YOUR CREATIVITY, available in my WordPress Archives, in regard to drastically changing the style of your art in your quest for stimulation, expression and evolution, just bleed it out and show people your personal DNA. Honesty goes hand in hand with age, and good art requires honesty…which equals soul.

Have you ever heard someone say, “That home is expensively decorated and superficially impressive but it is without a soul, like a hotel room. It doesn’t look like anybody interesting lives there.” With your creative pursuits you need to LIVE THERE. You need to shows signs of life. Or I heard this said recently, “I don’t like the food served at that place – it just has no soul.” Souls need to show up. Souls need to be present to win. We all see actors playing parts without a hint of soul. It never works. No Oscar for you. Houses and kitchens, living rooms, restaurants, gardens, studios, just as music and art and writing and cooking and all the other creative pursuits, need to have souls. What are the indicators of soul?

In my opinion they are :

Depth – Go deep and also go wide. Live your life 3 dimensionally. People are saying, recently, “Stay in your own lane.” An admonishment to behave and know your place! Well Hell No don’t stay in your own lane – take a road less traveled with your creativity! Be brave and be adventurous. Color outside the lines. Make a winding path instead of a straight one.

Experience – Display reflections of your experiences in your creative life, both good and sad and even bad. Show us your joy and your pain. Be real.

Weathering by the elements through years of use must be evident. Get some wrinkles. Marinate. But do not display an expiration date.

Honesty and authenticity are a must. Wisdom as well as street smarts. Character etched by personal knowledge. Make no excuses in your creativity.

Perfect imperfection is a fascinating thing – don’t be obsessed with perfection. Be vulnerable and make some mistakes. You are a human being. Just do it – don’t wait until it is perfect.

These are some of the things – the catalysts and conditions – that help art and other creative endeavors become brilliant and soaked with soul. You can’t fake having soul – ya either got it or ya don’t babe. Being a little older can only be good in this pursuit. Self-expression comes easier the older you get. Respect that. You have earned it, you own it and so do not apologize for it. You will want to be well remembered for your adventurous spirit and your soul.

The Creative Epiphany – Creativity’s Home

stonesbones

So much is said about the things that fuel creativity – travel, stimulating situations, color, scintillating conversations, people, films, unique situations of contrast,  even just a good night’s sleep. We who’s creativity thrives and continues to evolve, based upon  the endless supply of stimuli we absorb, are often asked where our ideas spring from and how we keep them from drying up. Just how early in life did that ball begin to roll? Someone asked me recently how it was for me, growing up. What were my earliest triggers for my own artistic gene to begin to bud, grow and burst into blossom? What do I credit with igniting this wild and ruthless lifelong pursuit of making things? Is it a voluntary phenomenon or am I powerless against the force of it? What is my relationship with creativity?

Powerless is what I am, a weak and compliant servant in its behalf. I will never stop inventing whole paintings, assembling beads, found objects and discarded items into new things, combining exotic papers on canvas, sewing, gardening, writing, designing and re-designing the arrangement of things in my home, inventing my own recipes, etc etc etc  – ad infinitum until the day I stop breathing. It is what I am about. I do it and I will always do it. I once had a husband who tried at various junctures to stifle this force in me, suppress it just a bit, deny it, doubt it, mold it to his liking and HIS whim – control it!! That effort was met with a DAVID-like force whenever it dared to rear its ridiculous little Goliath head. Creativity has kept prisoners confined for decades alive with hope as they scratch messages into solid granite. It has moved mountains and changed the earth with its ingenuity and imagination. Without it we as human beings are nothing.

If I cannot be creative, then just kill me now. It is my life’s work and my life’s play. It is in my genes. But it’s also in my heart and my soul…

It all began in a childhood home where I found wonder everywhere. Eight acres to roam, and no one caring if I was gone eight hours at a stretch exploring it. Trees to climb, creeks to wade in, hills to sled down, and places to build forts. An upstairs attic straight out of an Edgar Allan Poe story. A large barn with a hayloft  and a playhouse out in the horse pasture, a bunch of pets and other transitory animals to care for, a very large house with nooks and crannies that was by all accounts authentically haunted were all the deep tap root that stimulated my young imagination. I remember every single detail of that home of mine, every paint color on every wall, every piece of furniture in each of its twenty-six rooms. It is all so clear and so dear to me in my memory. I can still recall specific dinners we had there, friends we entertained, my first taste of the new and exotic pizza pie on a snowy winter night after sledding all day, sitting around the massive living room fireplace. The home was more than a mere house. It really did have a soul.

To all that  you add an endless supply of paper products coming my particular way from Grandpa’s furniture store – out of season wallpaper books, catalogues of artwork showing framed reproductions of old master paintings, scraps of fine fabrics saved for me by the ladies in the store basement who made custom drapes and bedspreads, and of course three levels of furniture in every style and personality.  With an available supply of scissors, crayons, paint & brushes, glue – and I had no choice but to answer that calling.

I am fortunate to have been raised in such an atmosphere of possibility. But the point here is, I will suggest that if you are creative in the arts or any other avenue, your earliest home had a great deal to do with it. If being creative and inventive is a path you chose for your entire life, your home of those early years planted the seed. Whether your home was precious or poor or somewhere in between, something about that fine home and the people in it nurtured you and fed you smoothies of creative juice. And you thrived on it and ran with that initiative. It made you who you are.

Now that I am living in Denver again I am able to spend many of my weekends with a dear friend who lives in the mountains just 45 minutes from where I live. The house where I visit is very much like the house of my childhood – not in style but in the magic it adds to my days spent there. It meanders, it surprises at every turn, it enfolds and protects and it makes me smile with pleasure at the visual stimulation it affords me. It’s various collections of things; its books, its music, its rugs, its art and its artifacts that inform me about tribes and people in far off places are all comforting and inspirational to me. I feel young and adventurous on its extensive acreage. We explore, we collect old relics and the bleached bones of animals, we find caves, we climb. By the time I return home again my imagination is re-fueled and ignited into a flickering orange flame of  high creativity that lasts me all week and beyond. My weekends spent there in the pines are like soul food to me and fire to my creativity, and those are gifts to cherish.

Whatever or wherever you might discover that lifts you up to new creative heights, feeds your artistic soul the rich fatty food of imagination, fills your fragile heart with wonder and delight, and sits you gently down again, each and every time, in a better place than before – well that is to be treasured. That would be called your homeplace, no matter whether you actually live there or not.

The Creative Epiphany – The Evolution of Your Creativity

DSC00133  Whether you are an artist, a designer, a writer, a musician, a chef, a dancer, a climber – whatever creative path you have chosen that tests yourself – your creativity reaches maturity at some point, given your particular set of skills and how far you are willing and capable of taking them. It has nothing at all to do with chronological age. You can be a fine painter and have mastered your craft by the time you are 40 or even earlier, or perhaps you do not reach artistic maturity until you are 68. But at some point, if you have been diligent about your skills, you feel that you have gained maturity in that particular expression. It does not really mean you have totally mastered all aspects of your craft – it simply means that your expression of it is leveling out to some consistent quality of predictable  goodness. You have reached your full potential, you are as satisfied as you will ever be with your mastery of the craft and you continue to float there, happy as a clam. OK.

The question then becomes, how innovative are you? Will you continue to bravely evolve? Evolution of your creativity is a whole different animal than maturity. Are you mature and stagnant or are you mature but still young at heart and adventurous? Are you stuck in achievement’s sweet success or are you gutsy enough to experiment beyond your comfort level and actually continue to evolve, risking raised eyebrows and looks of confusion in your loyal clientele when they witness the new direction? Will you continue to test yourself and question yourself? Many fine creative people will decide to stick with the known, resting on their laurels, maybe even talking about them incessantly, rather than putting their established reputation on the line and offering the world a fresh, new idea.

It might seem as if an artist, for example, who changes his/her style dramatically and almost overnight has lost his mind, because as a general rule an artist’s  voice evolves gradually over time…. people can track the subtle changes over the years and see them up close in retrospective shows. They can see things coming – they are never too surprised because nothing very drastic has happened. If that artist is thinking outside the box only in the back of his/her mind, down through the years, he perhaps has always considered a second style of expression without doing anything about it.

But many fine artists are multi-faceted and jump from one media and style to another. You know their famous names. Rarely, except in the case of the creative genius, does that happen almost over night and unexpected, but it does occasionally occur. And it has nothing to do with the number of years that have passed or the level of maturity. I will offer my opinion here that most often a giant, somewhat shocking creative leap of faith is purely emotional in origin, set off by some set of circumstances that happen to that artist that  scream CHANGE to him/her. Implementing and revealing that change through creative arts becomes almost involuntary and reactionary – it is after all, an expression, a vision, an epiphany of sorts, the cause of an effect, a previously unuttered  statement. It reveals things, often resulting in shock and awe. How exciting! How stimulating! What a great surprise! Who knew?

In the extremes, dramatic change can signal the end of a long struggle, and the re-emergence of bright optimism. It can also signal the entry into sadness or depression… chances are, the observers will know which it is, or that it falls into the gray areas between. Everyone has a story to tell about how their styles evolved and what the catalysts were for those morphs into the unknown, uncharted territory of new creative expression. We should applaud them for opening a vein and bleeding it all out there. That requires courage and adrenaline because it involves private information of personal internal change.  Your creativity is a visual diary, after all. Use it or lose it. Show it so we know it. Be yourself. Be authentic. Hide little. Share. That is true creativity at its best.

For some examples of stories illustrating this subject, read my book THE CREATIVE EPIPHANY by Jo Ann Brown-Scott available on www.Amazon.com, in particular the chapter by Southwest artist Randy Pijoan, titled “My Majenta Return.”